#Multichannel output plogue bidule for mac#
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Then comes Mod, which sets the depth of modulation of the parameter, in other words, the maximum value for the parameter. As you see, each of these tabs has the same kind of controls underneath them, and this is what gives Crusher X its strengths.įrom left to right, we have a slider and a unique “wheel” control (for finer control) for Offset, which sets the minimum value for the parameter being controlled.

Length sets the range of how long the grains are, and Birth determines how much time passes between the start of each new grain. Delay sets how long after the beginning of the sound buffer the sound begins to play. Each of the tabs at the top of the box selects a different treatment for the grains. This is the control panel for the “Vapor Modulations” in Crusher X. All of these sources are then put into what is called the “Vapor Generator.” This is where the real strength of Crusher X lies, in what it enables you to do to the grains, once you have them. These are seen near the bottom of the all-in-one faceplate shown in the screenshot above.

#Multichannel output plogue bidule manual#

There is a “Trigger” control, which enables both manual filling of the sound buffer and that filling to be triggered by a user-set input level, and a Feed, a feedback control which allows the granulated sound to be fed back into the processing chain. The live input, or the buffer, of course, can be anything you want.

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The DCO generates a sine wave, or in “Random” mode, a kind of very funky series of unpredictable FM type sounds. That I’m able to use it on this very convenient machine, even with a reduced grain-stream count, pleases me immensely.Ĭrusher X (love its blue lobster logo!) starts off with three possible sources of sound, a DCO (digitally controlled oscillator), a live input, and a buffer where you can load in any desired sound file. Earlier versions of Crusher X had just overloaded the Vivo Tab completely.

#Multichannel output plogue bidule 32 bit#

The surprise was that on my tiny underpowered ASUS Vivo Tab (An Intel Atom CPU running at 1.8 GHz with 2 GB of Ram, running 32 bit Windows 8), I could run 4 grain-streams and only be using about 50% of the CPU. On my large ASUS desktop (an Pentium i5 running at 2.3 GHz, with 4 GB of RAM, running Windows 8.1), I can run 60 grain-streams (independent voices each derived from a single grain of the source sound) and only use about 50% of the CPU, often less. The program is reasonably light on CPU resources, which seems to be an improvement on past versions of the program. My two test-beds of choice, AudioMulch and Plogue Bidule, do indeed allow you to apply MIDI signals to any kind of plugin, so I had no problems there. It only works as an effects plugin, but the excellent manual has solutions for several programs which don’t allow you to MIDI control an effects plugin.

#Multichannel output plogue bidule for mac#

Jorg Stelkens has proposed a number of solutions to this problem in Crusher X, and the result is a program that is very powerful, but basically pretty easy to learn to control.Ĭrusher X is a VST plugin for Windows (W7+, 32 or 64-bit) and a VST and AU plugin for Mac (OSX 10.6+, 64-bit only).

And the more “bells and whistles” you build into a program, the more unwieldy the problem of controlling the program becomes.

Like its sibling, additive synthesis, though, it requires lots and lots of simultaneous controls to make it work most effectively. It can be used to modulate a sound, to time-stretch it, to assemble clouds of sound-textures from a single sound source, to spatialize sounds, and a number of other things. To go back to the beginning, for those unfamiliar with the technique, granular synthesis is a technique that extracts (mostly) very short segments of sound from an ongoing sound stream, and combines those segments into new orders and textures. In its current incarnation, it truly is the Rolls-Royce (or Jaguar) of granulation programs. It’s more efficient (less CPU power needed), and has a whole range of new features. As a long-time user of the program, I was looking forward to this update, and my hopes have been realized. A couple of months ago, it was updated to Version 6, and some amazing new capabilities have been added. Over the years, it’s been updated and its capabilities have expanded, version by version. It’s been around since 1999, in one form or another.

#Multichannel output plogue bidule software#

One of the oldest and most sophisticated granulators, and an old friend, gets a makeover, which increases its capabilities enormously.Ĭrusher X is the brain-child of Jorg Stelkens, software designer extraordinaire from Munich.